20th, 21st and 22nd of June 2025

Ecosystemic festival of arts, music, and ephemeral architecture

Rizomes is a festival born once a year in the heart of a poplar plantation in La Cellera de Ter, Girona. An ephemeral cultural space in search of old and new ways of doing, where play and collective experimentation take center stage.

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Line up

Tree farm

The festival is just a brief phase of an ecosystem that lives all year round: 15,000 trees, configured in a 5 x 5 meter grid, in constant growth and mutation.

Every year, 315 adult poplars are cut down for timber production. These give way to 315 newborn poplars, which will grow and live rooted in the plantation for more than two decades. This cycle of renewal, of life and death, is an integral fact of Rizomes. Everything is movement, and movement is an opportunity for the renewal of creative avenues.

Using the limitations and possibilities of this peculiar spatial configuration, the festival reinvents itself with each new cycle. The fluctuating grid invites us to adapt each year, to collectively find renewed solutions for the design and distribution of the festival facilities, in line with agricultural activity.

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Art & Spaces

Rizomes is a creative platform for musicians, designers, architects, visual artists, and creators of all kinds.

Year after year we create a rhizomatic network of interrelated installations, with the grid of trees as the initial game board. Each edition of the festival is the result of co-creation between different artists, designers, musicians and architects.

We also promote artistic production through REG, an annual call for artistic and architectural installations that takes place in residence on the plantation. The results become part of Rizomes' artistic ecosystem.

The natural space hosting the festival is productive, inclusive, and performative.

Using the wood from trees felled by autumn winds or bamboo canes harvested for fiber sanitation, we create the necessary infrastructures for cultural production: building showers or ashtrays, responsibly channeling water from the canal for hygiene or dishwashing, and crafting chairs, bars, stands, and backstage areas.

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Sustainability

Festivals should be defined as a harmonious balance between human free expression, cultural promotion, and environmental protection.

Our main challenge is to integrate into the forest and leave no trace behind. Every year, we reduce our ecological footprint to achieve zero impact.

Environmental sustainability goes hand in hand with economic sustainability. We measure sustainability from four perspectives: conditioning the space to reduce electrical consumption, a conscious management of potable and non-potable water, the use of recycled, donated, or reused materials for building infrastructures and a maximum reduction of waste and creation of compost.

Rizomes
Ecosystemic festival of arts, music and architecture, in the forest

hola@rizomes.com

Bosc de Can Ribes
La Cellera de Ter
Girona, España

Anatole Muster

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At just 22 years old, London-based Swiss producer and accordion phenomenon Anatole Muster has already garnered praise from musicians and fans alike. His unique approach to modern jazz was featured by Jamie Cullum on his BBC 2 radio show and has seen him collaborate with genre heavyweights such as Tennyson, Kiefer and Louis Cole. Anatole's music has taken him to do gigs around the world, including shows at Montreux Jazz Autumn Festival, Rio Montreux Jazz Festival, M4Music Switzerland and at Minaret Records-Show in Los Angeles, to name a few.

Anatole's new album, Wonderful Now, released on 19 April last year, showcases a remarkable musical diversity from an artist with an exceptional background. In these 28 minutes of music, Anatole breaks free from the confines of traditional genre and explores the multitude of sounds that have made him love music so much. Anatole travels through jazz and hyperpop to emotional dance fluidly and seamlessly, staying true to the improvisational nature of jazz. Anatole's unique voice and accordion are skillfully woven into the music, while adding his unmistakable electrifying melodic phrasing to each composition.

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