20th, 21st and 22nd of June 2025

Ecosystemic festival of arts, music, and ephemeral architecture

Rizomes is a festival born once a year in the heart of a poplar plantation in La Cellera de Ter, Girona. An ephemeral cultural space in search of old and new ways of doing, where play and collective experimentation take center stage.

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Line up

Tree farm

The festival is just a brief phase of an ecosystem that lives all year round: 15,000 trees, configured in a 5 x 5 meter grid, in constant growth and mutation.

Every year, 315 adult poplars are cut down for timber production. These give way to 315 newborn poplars, which will grow and live rooted in the plantation for more than two decades. This cycle of renewal, of life and death, is an integral fact of Rizomes. Everything is movement, and movement is an opportunity for the renewal of creative avenues.

Using the limitations and possibilities of this peculiar spatial configuration, the festival reinvents itself with each new cycle. The fluctuating grid invites us to adapt each year, to collectively find renewed solutions for the design and distribution of the festival facilities, in line with agricultural activity.

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Art & Spaces

Rizomes is a creative platform for musicians, designers, architects, visual artists, and creators of all kinds.

Year after year we create a rhizomatic network of interrelated installations, with the grid of trees as the initial game board. Each edition of the festival is the result of co-creation between different artists, designers, musicians and architects.

We also promote artistic production through REG, an annual call for artistic and architectural installations that takes place in residence on the plantation. The results become part of Rizomes' artistic ecosystem.

The natural space hosting the festival is productive, inclusive, and performative.

Using the wood from trees felled by autumn winds or bamboo canes harvested for fiber sanitation, we create the necessary infrastructures for cultural production: building showers or ashtrays, responsibly channeling water from the canal for hygiene or dishwashing, and crafting chairs, bars, stands, and backstage areas.

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Sustainability

Festivals should be defined as a harmonious balance between human free expression, cultural promotion, and environmental protection.

Our main challenge is to integrate into the forest and leave no trace behind. Every year, we reduce our ecological footprint to achieve zero impact.

Environmental sustainability goes hand in hand with economic sustainability. We measure sustainability from four perspectives: conditioning the space to reduce electrical consumption, a conscious management of potable and non-potable water, the use of recycled, donated, or reused materials for building infrastructures and a maximum reduction of waste and creation of compost.

Rizomes
Ecosystemic festival of arts, music and architecture, in the forest

hola@rizomes.com

Bosc de Can Ribes
La Cellera de Ter
Girona, España

Cinema Clorofílic

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Rizomes proposes a chlorophyllic journey through this program of shorts. The session emphasizes the relationship that humans have with the plant kingdom: from the utilitarian relationship present in intensive agriculture, capable of transforming the landscape to optimize the growth processes of plants, to the mythical and profound relationship with plants and trees, present in various cultures throughout humanity, which recognizes them as subjects and beings endowed with a soul.

The proposed route begins in southern California, where industrial agriculture has left the landscape inscribed with straight and infinite lines, which filmmaker Lukas Marxt interprets freely through abstraction in 'Imperial Valley (cultivated run-off)'. The second short, 'Agrilogistics' by Gerard Ortín, takes us into a highly technified greenhouse complex, whose regimented order seems to be altered only by night and dream. With 'The Third Landscape', Julen Etxeberria takes us deeper into the painted forest of Oma, in the Basque Country, where a fungus has begun to colonize and deteriorate the land art work of artist Agustín Ibarrola, transforming it, as well as the landscape and the film's celluloid itself. Finally, Adrià Expòsit, an artist born in close contact with the forests of La Selva, brings us far into the soul of the plant kingdom with his short 'Pneuma', which explores the forest as a porous container of life's breath.

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Imperial Valley (cultivated run-off) – Lukas Marxt | 2018 | 14 minutes

Accompanied by baleful, alarming, whistlingbooming electro sounds (Jung An Tagen), a speedy drone flight over California's Imperial Valley becomes a journey in an extinct, abstract, uncanny, hostile landscape: a dystopian science fiction scenario, anchored in the reality of the present.


Agrilogistics – Gerard Ortín Castellví | 2022 | 21 minutes

'Agrilogistics' looks at recent technological transformations in contemporary industrial agriculture. Tulip bulbs, chrysanthemum stems and vine tomatoes are processed through cameras, feeding datasets that regulate their own growth. During the day, the greenhouse is a cinematic device, an automated film set optimized for the mass production of fruits and flowers. At night, the factory stops: without an inside or an outside, the greenhouse becomes an oneiric chamber where plants, animals and machines form new entanglements.


El Tercer Paisaje – Julen Etxebarria | 2024 | 12 minutes

The fungus Microsphaerella dearnessi, which affects the Insigne pine variety, has turned the Basque forest brown and has even infected the painted forest of Oma, the work of Basque artist Agustín Ibarrola. This work of art belongs to the Land Art movement, which is mainly characterized by its ephemeral nature. Within this movement, artists leave their works exposed to the mercy of weather conditions and other elements beyond human control.


Pneuma – Adrià Expòsit Goy | 2022 | 15 minutes

In the darkness, a breath of light illuminates the forest night. Air, water, light and wind flow across the earth to herald the end of new worlds and the beginning of ancient lives.